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Most skills take a certain measure of practice to master...unless you are Good with Numbers.Just run off some mental calculations about your gun's firing speed, friction, gravity, and the slightly-off-kilter scope (how exactly the analyzer knows all those variables is handwaved), and it's a done deal. Logically anticipate where his next strike will come from and remain one step ahead.But you know, we're still here." By "it", he means rehoming art from the streets in a gallery, for all that he grimaces at calling the men – and women, but mostly men, "I have no idea why" – he represents "street artists".The son of a Greek-Cypriot kebab shop owner and an English mother, Lazarides ("Laz" to his mates) can play the non-conformist because he is one.These guys were going out and making rough places pretty." And now, those guys are making a living because people are splashing serious cash on their work: fans include Brad Pitt and Christina Aguilera.Fellow gallerist Oliver Cox, who owns west London's Graffik, says street artists owe their popularity to Lazarides, who gave them a "platform to exhibit commercial works"."When we split up, I can remember to this day the conversation I had with him: 'We could live to be 150 and we're still going to get stuck in the same sentence.'" The detail of the duo's falling out remains a mystery but there seems to be no love lost on either side.

Showing me around the exhibition, he pauses at some canvases by Robert "3D" Del Naja, the Massive Attack singer-cum-graffiti artist. I used to get the bus in from the estate I lived in to go and see his graffiti. " Later, chatting by telephone, he tells me that one of his friends was a "kid called Inkie", another of the Bristol graffiti alumni.When I arrive, Lazarides is cleaning himself up after being turned into a piece of art for the photo shoot.It reminds him of his former life as a photographer.Lucy Mc Lauchlan, whose work features in "Still Here", says Lazarides encouraged "adventure and freedom – much needed when you're trying to make sense of collating 'street' works into an indoor exhibition space".The upshot, adds 3D, is that "art's no longer the preserve of the middle class and the wealthy".

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